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'Jamie Schiller English 114 09/12/12 Difficulty penning 1 â€Å"If matchless envisages of cultures, or literatures, as discrete, coherently structured, monolingual edifices, Guaman Poma’s text, and indeed any autoethnographic croak, appears chimerical or chaotic †as it apparently did to the European scholars Pietschmann spoke to in 1912. If one does not bet of cultures this way, thusly Guanman Poma’s text is simply heterogeneous, as the Andean region was itself and remains today. Such a text is heterogeneous on the reception wind up as well as the production residue: it will read very differently to muckle in different positions in the pertain zone. (page 492) I found this qualifying difficult because it uses many cost that I was only introduced to when I started reading bloody shame Louise Pratt’s essay. It is hard to follow because it uses difficult impairment and packs a lot of information into a piffling amount of writing. Mary Louise Pr att introduces several(prenominal) concepts in the identical passage, which was both overwhelming and distracting. It was difficult to understand the passage in its entirety the first time I read it, but after rereading the passage several times and giving it some thought, I count I may necessitate a give way brain of what the author was trying to convey to her audience.I think that Mary Louise Pratt is saying that Guanman Poma’s text female genitalia be interpreted in more than one way. She uses the term â€Å"heterogeneous”, which means incongruous or unlike. This suggests that the text was complex and thus could easily be misinterpreted. If two people each have a different perspective of a certain society or culture is different from someone else’s, they in all probability will not share the same understanding of Poma’s work. Guanman Poma’s letters to the king were pen in two languages. This could be a resolve why people who view cultu res as â€Å"coherently structured, monolingual edifices” may find his work chaotic and confusing.The European scholars the Pietschmann spoke to in 1912 would not have been adequate to fully understand Guanman Poma’s work because they do not possess transcultural understanding. The dismantle of the passage that states that, â€Å"If one does not think of cultures this way, then Guanman Poma’s text is simply heterogeneous, as the Andean region was itself and remains today,” suggests that those who come from a â€Å"contact zone”, where two different cultures intermingle, would be able to understand Guanman Poma’s message more easily.This faculty be caused by the fact that they are known with more than one culture existing in concert and therefore would not be confused or overwhelmed by Poma’s letters. This passage connects to the rest of Pratt’s essay because it talks about autoethnographic texts and transcultration. Pratt i ntroduced both of these ground in her essay because she views them as â€Å"the phenomenon of the contact zone. ”\r\n'