Analysis of The Stepford Wives :: The Stepford Wives Movies Film Essays

Analysis of The Stepford WivesMildly diverting is about the beat out that can be said for The Stepford Wives, a remake so soft-witted it could be about as entertaining as daytime tv.. competent from Ira Levins chilling novel as a comedy, as opposed to the nifty 70s thriller which made the title a household phrase, the makers have missed out one crucial grammatical constituent Laughs.Nicole Kidman (Moulin rouge, practical magic) plays Joanna, a burnt-out TV executive who gets fired from her strain and is driven to the 50s suburb of stepford, where rich, style-free, god awful work force live with impossibly beautiful and servile women.As we arrive we already know that something is suspect and its not just the scriptThe pilot light film, though far from flawless itself, stirred in the extra fragment of sexual politics, playing on mens fear of flop women abandoning the home for the workplace. In the 21st century Stepford, Kidman is a high vizor whose career crash leads her to qu estion maybe Ive become the legal injury kind of woman while her hapless husband (Matthew Broderick) moans your whole stance makes people want to kill you. Its an interesting idea, that womens pouch has led to a different kind of servitude- to the boardroom not the bedroom. besides it was never properly explored.To be honest, given real-life inequalities (and I know were lecture movies here) in pay and conditions and the lack of women in higher management its stupid to suggest the struggle for womens rights has been won.But it just isnt very entertaining, and social issues aside, this film has about as much union as a pancake stuck to the ceiling, for a while there it holds on to something but in the end it falls to the floor in pieces.The managing director Frank Oz assumes, probably quite rightly, that the audience knows why the sisters of Stepford so slavishly serve their men, but the lack of surprise or suspense cruelly exposes a similar lack of decent jokes, some of which are chucked in at the wrong moments, which could have otherwise saved a dig or two.